Royal Dux: Dating 150 years of Porcelain

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Porcelain and pottery marks – Ernst Wahliss marks

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century royal vienna porcelain cup and saucer Tea Cup Set, My Cup Of Tea, Imperial Russian Arms Factory: Vienna Factory director: Du Paquier period Date.

The high quality pottery and porcelain figures produced there are now generally referred to by the abbreviated name, “Royal Dux. Ownership of the business changed frequently over the last years. Bohemia became part of Czechoslovakia which was in turn controlled first by Germany then the Soviet Union. In , even the national name was changed to Czech Republic. The problem facing collectors is that many original 19th century molds have remained in production throughout the company’s year history.

With vintage 19th century Royal Dux selling for up to several thousand dollars, modern pieces are often offered, either deliberately or through ignorance, as much older than they really are. In this article, we’ll be looking at genuine marks found on authentic Royal Dux as well as typical forged marks you might find in the market. Royal Dux products can be divided into four broad periods of production generally separated by wars and political upheaval: to WW I; to WW II; to and from to the present.

From to WW II, ca. The company returned to private ownership with the collapse of the Soviet Union in Since , molds and variations of company marks from earlier periods have continued to be used as Royal Dux continues production into the 21st century. Royal Dux introduced one of the most distinctive marks ever placed on porcelain, a raised triangle of pink clay. All factory-applied pink triangles—whether from the 19th, 20th or 21st century—are made from a separate piece of pink clay.

The pink clay is applied to the base of Royal Dux white clay bodies.

Vienna Porcelain Factory

The term refers to the fact that the plates of this type were intended purely as decorative items — literally, displayed in a cabinet — rather than coming into contact with food. Measuring 9. Another Wagner, this time with a combination of a beehive mark and black star. Diameter is 9. Size just under 9.

Royal Vienna Porcelain Ewer late 19thC Beehive mark in blue underglaze, the gilt shell-form spout joined by a scrolled handle, reserves depicting a group.

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In the same year Christoph Conrad Hunger left for Venice, where he founded another European porcelain factory. Up to , they produced chinoiserie , following the Meissen trend. Some of the pieces were marked with a stylised chinese imperial mark. From Vienna porcelain production was changed to objects in Viennese baroque style that were unmarked. However, Du Paquier still had major financial problems and was forced to sell the factory in to the Austrian empress Maria Theresia.

This began the ” State period ” when the Vienna shield mark Bindenschild the arms of the Austrian court, was introduced.

The quality of some of these “Royal Vienna” pieces was very good; the best of them date from the s through to , with hand-painted.

Table of Fine Porcelain and Other Marks shown below. Please remember that all of our items are Antique and Vintage and may or may not have the usual minimal utensil marks or slight wear from normal use. Anything of significance is duly noted in our descriptions and photographed if possible. We strive very hard to assure the high-quality of our products and to fully disclose any significant flaws.

Layaways Welcome. Click on the links at top of page for beautiful porcelains. All Rights Reserved. Products displayed in these tables are not for sale unless otherwise stated. T hey are included here merely for informational purposes and as examples of items on which the marks are found. Any photographs or other information on this website may not be copied or used by others without our prior permission. Viewer contributions are acknowledged accordingly and are also protected under our copyright notice and may not be copied or used by others without our permission.

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Royal Vienna/Austrian Porcelain

Somewhere along the line, the mark was viewed upside down and a beehive was born. So should you describe the mark as a beehive and call this porcelain Royal Vienna? The mark does look much more like a beehive than a shield to the average person, but correct is correct, right? Well, not if you want to sell a piece through an ad or in the online marketplace.

information on a piece you were told is “antique Royal Vienna porcelain”? The back of the plate has a date scratched on it, “

It was founded in and continued until The firm was Europe’s second-oldest porcelain factory after Meissen porcelain , and for 25 years the two remained the only European producers. Initially it was a private enterprise, founded by Claude du Paquier , [1] an official of the Viennese Imperial court, but in it was rescued from financial difficulties when bought by the Empress Maria Theresa , and thereafter remained an asset of the emperors.

The wares from the earlier, private period before are the most sought-after today, if only because production was lower and so the pieces are much more rare. These are often called Du Paquier porcelain from the Du Paquier factory. Wares were used as diplomatic gifts by the emperors, and exports to Turkey were significant. The history of the manufactory is often divided by German writers into five periods.

The first period, used by all sources, was under its founder and first director du Paquier, who was given a monopoly for 25 years. This is therefore known as the “Du Paquier period”, and many sources talk of “Du Paquier porcelain” and the “Du Paquier factory”, [5] usually with a capital “D”, although his actual name has a small “d”. While Meissen and most later German factories were owned by the local ruler, and usually heavily funded, du Pacquier received only permission to manufacture, and many orders for wares, from the emperor, and the factory seems always to have been under-capitalized in his time.

This situation lasted from —, when the monopoly expired and the financial difficulties apparently came to a head; the empress intervened by buying the factory, [6] which was then renamed as the “Imperial State Manufactory Vienna”. The second period is the ” Plastic period” — , the third is the “Sorgenthal period”, [7] or “Painterly period” Malerische Periode of —, then the ” Biedermeier period” — and finally the “Late Biedermeier period” — By the last quarter of the 18th century, as many as , pieces annually were exported to the Ottoman Empire ; these were typically brightly coloured, but less finely painted than those for European markets.

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A Royal Vienna porcelain portrait ewer, cobalt spout and plinth, scene of wood nymphs in the forest. Royal Vienna Porcelain Portrait Vase and Cover, Germany, raised gold floral border to a wine red ground, the body polychrome enamel decorated with a robed beauty on the one side and landscape with cherubs to the reverse, artist signed Meisel, below the base titled “Bien etre” c. H”, c. Second Half 19th Century x Free shipping for many products!

Having a hand painted scene depicting a satyr and beauties in a landscape with lake, having finely chased gilt border

Buy Royal Vienna in Continental Porcelain & China and get the best deals at the lowest prices on eBay! Great Savings & Free Delivery.

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Sublime Antique Vienna Porcelain

Looking for information on a piece you were told is “antique Royal Vienna porcelain”? You’ll find it in “Kovels’ Antiques and Collectibles Price Guide,” and other online sources listed with “beehive” porcelain. The first mark used by the Royal Porcelain Manufactory in was actually a line drawing of the outline of a shield. But when turned upside down, it looked like a beehive.

Nov 13, – Royal Vienna Porcelain (Austria) — Footed Jug, c (​x).

Want more images or videos? Contact Seller. Royal Vienna Porcelain Vase. About This rare and magnificent Royal Vienna Porcelain vase is a work of tremendous artistry. Monumental in size and beauty, this extravagant urn features a reproduction of Thomas Gainsborough’s Mr. Highly detailed and true to the original, this scene is set against an ombre backdrop, an effect achieved by exposing different areas of the piece to longer firing. Accented by a hand-painted, gilt foliate motif in a lush Art Nouveau style, this incredible vase epitomizes the exceptional porcelain genius for which Royal Vienna is known.

For almost two centuries, the imperial and Royal porcelain factory Vienna, commonly referred to as Royal Vienna by collectors was the premier producer of porcelain in the region. Founded in by Claudius Innocentius Du Paquier, the factory was granted a “special privilege” for the exclusive right to produce porcelain in Austria. It was the second hard paste porcelain factory in Europe after Meissen.

Du Paquier sold the factory to the Hapsburg court in and the Austrian royalty owned and operated the factory until it closed in at which time it was put under museum administration.

Large Plate from Royal Vienna Porcelain, 1880s

The famous beehive backstamp is in fact a shield, which, when viewed upside down, resembles a beehive. The majority of classically-themed cabinet plates bearing the beehive mark and made circa are known as Royal Vienna, in reference to the style in which they were decorated. Original Royal Vienna was produced from

Royal Vienna porcelain – a collector’s moniker – is associated with the “beehive” These marks largely date to the first half of the twentieth century and aren’t.

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